Sunday, May 12, 2019

Emilia Bassano Lanier: Shakespeare’s Dark Lady Inspiration?

Even though all living fans of Shakespeare only knew of her existence after 1973, is Emilia Bassano Lanier William Shakespeare’s “dark lady inspiration” or even the great bard himself?

By: Ringo Bones

Most stone-cold Stratfordians probably scoff at the idea that William Shakespeare is not the actual author of his works, never mind just a mere pseudonym of some other Elizabethan era bard willing to remain anonymous. And there are some who suggested that William Shakespeare is actually a pseudonym of a Elizabethan era woman bard of really great skill. Is there any truth to this?

A recent article on The Atlantic by Elizabeth Winkler titled “Was Shakespeare A Woman?”  is a well-researched insight into the possibility that the great English bard might actually be a woman wishing to remain anonymous in Elizabethan era England despite of her really great literary skills. Many so-called “anti-Stratfordians” cite that William Shakespeare’s life is remarkably well documented – yet no records from his lifetime identify him unequivocally as a writer. Recently, probably due to the advent of the “hash-tag me-too movement”, the theory that William Shakespeare might actually be a woman has regained renewed scrutiny.

Prior to the “unearthing” of her existence back in 1973 by the Oxford historian and maverick Elizabethan scholar A. L. Rowse, the world at large was very much oblivious to the existence, never mind her brilliant literary works, of Emilia Bassano Lanier. Also spelled Aemilia or Amelia, she was born in 1569 and became a well-known English poet in the early Modern English era. She was the first Englishwoman to assert herself as a professional poet through a single volume of poems Salve Deus Rex Judaeorum back in 1611. Unfortunately, she was largely forgotten after her death in 1645. But thanks to Oxford historian A.L. Rowse’s speculation that she was Shakespeare’s mistress that was described as the “dark lady” in the sonnets, the life and works of Emilia Bassano Lanier was rescued from obscurity.